11 September 2014, Thursday

 

9:00-9:50        Registration

 

9:50-10:00      Welcome Speech

 

10:00-10:45     Keynote Lecture - Melanie Gifford, Reattribution of an early work by Willem van Aelst: the role of technical studies

 

10:45-11:30       Coffee Break

 

11:30-11:55         Livia Depuydt, Valentine Henderiks, Nathalie Laquière, Françoise Rosier, Jana Sanyova and Bart C. Devolder,

                            Contribution to the study of the underdrawing on the reverse sides of the wings of the Ghent Altarpiece

 

11:55-12:20        Till-Holger Borchert, A possible ‘collaborator’ of Van Eyck reconsidered

 

12:20-14:00      Lunch Break

 

14:00-14:25      Rachel Billinge, The Beaune Last Judgement, sorting out Rogier van der Weyden and his assistants. Part 1, what IRR can

                            tell us

 

14:25-14:50       Griet Steyaert, The Beaune Last Judgement, sorting out Rogier van der Weyden and his assistants. Part 2, the paint layers

 

14:50-15:15        Stephan Kemperdick, Philipp the Good bare-headed: in search for original and copy

 

15:15-15:40        Ingrid Ciulisova, The Saint Michael Altarpiece in Spišská Kapitula, a preliminary report

 

15:40-16:10       Coffee Break

 

16:10-16:35        Maryan Ainsworth, The Middendorf Altarpiece

 

16:35-17:00       Anne Dubois, XRF analysis of pigments in the Donne Hours

 

17:00-17:20        Five minutes Presentations of Projects

 

17:20-17:45         Five minutes Presentations of Posters

 

 

 

12 September 2014, Friday

 

 

9:20-9:45          Véronique Bücken, The Adoration of the Magi Triptych (Genoa-Turin): collaboration or division of the work

 

9:45-10:10         Maria Clelia Galassi, Revising Friedländer: the “underdrawing connoisseurship” and the Master of the Turin Adoration

 

10:10-10:35       Catheline Périer-d’Ieteren, The Passion Altarpiece of Güstrow

 

10:35-11:05        Coffee Break

 

11:05-11:30        Caterina Limentani Virdis, A new Virgo Lactans of the Gold Brocade Group

 

11:30-11:55         Valentine Henderiks, Albrecht Bouts in Sibiu: a unique self-portrait in Memento Mori

 

11:55-12:20        Geert Van der Snickt, Matthias Alfeld, Till-Holger Borchert, Joris Dik and Koen Janssens, Insights in the creation

                             process of Hans Memling’s Moreel Triptych by means of MA-XRF scanning, a new analytical imaging technique

 

12:20-14:00      Lunch Break

 

14:00-14:25      Carmen Sandalinas and Bart Fransen, The Polyptych of the Seven Sorrows of the Virgin at the Museu Federic Marés:

                             an unusual altarpiece

 

14:25-14:50       Matthijs Ilsink, The Bosch Research and Conservation Project (BRCP)

 

14:50-15:15        Luuk Hoogstede, Painting techniques in the Bosch group and issues of conservation

 

15:15-15:40        Ron Spronk, The underdrawings from the Bosch Group

 

15:40-16:10       Coffee Break

 

16:10-16:35        Babette Hartwieg, Antje Fee Köllermann and Eliza Reichel, The “Goldene Tafel” from Luneburg: research on technique,

                            context and meaning of a major northern German altarpiece from around 1400

 

16:35-17:00       Dagmar Hirschfelder, Beate Fücker, Katja von Baum and Lisa Eckstein, Spontaneity by Design: painted alterations in the

                            Pleydenwurff workshop

 

17:00-17:25        Claire Chorley, Identifying Hans: Hans Holbein’s portrait of Hans of Antwerp?

 

 

 

 

13 September 2014, Saturday

 

 

9:20-9:45          Mary Kempski and Lucy Whitaker, Who is the Man in Red and who painted him?

 

9:45-10:10        Marjan Debaene and David Lainé, Reading between the lines... Attribution problems regarding early 16th century Louvain

                           painters

                           

 

10:10-10:35       Judith Niessen and Margreet Wolters, The Triptych of the Holy Cross in Veurne’s Church of Sint Niklaas: the connection

                            between a drawing and a triptych and their problems of attribution

 

10:35-11:05        Coffee Break

 

11:05-11:30        Anne van Oosterwijk, Technical evidence towards the reconstruction of the oeuvre of Pieter I Claeissens

 

11:30-11:55         Peter van den Brink and Dan Ewing, Two “new” paintings by Jan de Beer: technical studies, connoisseurship and

                            provenance research

 

11:55-12:20         Nicola Christie and Lucy Whitaker, The Calling of Saint Matthew attributed to the Master of the Abbey of Dilighem

 

12:20-14:00       Lunch Break

 

14:00-14:25       Katrin Dyballa, The oeuvre of Jan Swart van Groningen reconsidered

 

14:25-14:50       Molly Faries and Daantje Meuwissen, Identifying personnel and influence in the workshop of Jacob Cornelisz

                            van Oostsanen

 

14:50-15:15        Dominique Allart, Christina Currie, Pascale Fraiture and Steven Saverwyns, A case of mistaken identity: a version of

                            the Good Shepherd by Pieter Brueghel the Younger